Ken Burns on His Monumental Revolutionary War Documentary: ‘We Won’t Work on a More Important Film’
The acclaimed documentarian has become not just a filmmaker; he represents an institution, a prolific creative force. Whenever he releases television endeavor heading for the television, everyone seeks an interview.
He participated in “countless podcast appearances”, he says, wrapping up of his marathon promotional journey that included numerous locations, dozens of preview events and hundreds of interviews. “With podcasts numbering in the hundreds of millions, I feel I’ve participated in a substantial portion.”
Fortunately the filmmaker is incredibly dynamic, as expressive in conversation as he is prolific in the editing room. The 72-year-old has gone everywhere from Monticello to The Joe Rogan Experience to talk about a career-defining series: The American Revolution, a monumental six-part, 12-hour documentary series that consumed the past decade of his life and premiered this week on public television.
Classic Documentary Style
Like slow cooking amidst instant gratification culture, Burns’ latest project intentionally classic, evoking memories of The World at War than the era of digital documentaries and podcast series.
But for Burns, who has built a career chronicling strands of US history including baseball, country music, jazz and national parks, the nation’s founding represents more than another topic but fundamental. “I recently told collaborator Sarah Botstein during our discussions, and she shared this view: this represents our most significant project Burns contemplates by phone from New York.
Extensive Historical Investigation
Burns and his collaborators plus scripting partner Geoffrey Ward referenced numerous historical volumes plus archival documents. Multiple academic experts, representing diverse viewpoints, provided on-air commentary along with leading scholars from a range of other fields including slavery, Native American history and imperial studies.
Signature Documentary Style
The style of the series will feel familiar to devotees of The Civil War. The unique approach featured slow pans and zooms over historical images, extensive employment of contemporary scores with performers voicing historical documents.
That was the moment Burns established his reputation; years later, now the doyen of documentaries, he can apparently summon virtually any performer. Participating with Burns at a New York gathering, acclaimed writer Lin-Manuel Miranda commented: “Nobody declines an invitation from Ken Burns.”
Remarkable Ensemble
The lengthy creation process also helped in terms of flexibility. Filming occurred in recording spaces, in relevant places using online technology, a method utilized throughout the health crisis. The director describes the experience with performer Josh Brolin, who made time during his travels to record his lines portraying the founding father then continuing to subsequent commitments.
The cast includes numerous acclaimed actors, respected performing veterans, emerging and established stars, multiple generations of actors, Samuel L Jackson, Michael Keaton, Tracy Letts, British and American talent, Edward Norton, David Oyelowo, Mandy Patinkin, Wendell Pierce, Matthew Rhys, Liev Schreiber, and many others.
The filmmaker continues: “Frankly, this may be the best single cast gathered for any production. Their contributions are remarkable. They’re not picked because they’re celebrities. I became frustrated when someone asked, ‘So why the celebrities?’. I explained, ‘These are artists.’ They are among the world’s best performers and they animate historical material.”
Nuanced Narrative
However, the lack of surviving participants, photography and newsreels required the filmmakers to rely extensively on historical documents, combining the first-person voices of nearly 200 individual historic figures. This allowed them to show spectators not only to the “bold-faced names” of the revolution but also to “dozens of others crucial to understanding, many of whom lack visual representation.
Burns additionally pursued his particular enthusiasm for geography and cartography. “I love maps,” he notes, “featuring increased geographical representation throughout this series versus earlier productions throughout my entire career.”
Global Significance
Filmmakers captured footage across multiple important places across North America and British sites to preserve geographical atmosphere and worked extensively with re-enactors. Various aspects converge to present a narrative more bloody, multifaceted and world-changing versus conventional understanding.
The film maintains, transcended provincial conflict over land, taxation and representation. Rather, the series depicts a blood-soaked struggle that ultimately drew in numerous countries and improbably came to embody what it calls “humanity’s highest ideals”.
Internal Conflict Truth
Initial complaints and protests leveled at London by far-flung British subjects throughout multiple disputatious regions rapidly became a brutal civil conflict, setting brother against brother and creating local enmities. In episode two, academic Alan Taylor comments: “The main misapprehension concerning independence struggle centers on assuming it constituted a unifying experience for colonists. This ignores the truth that Americans fought each other.”
Historical Complexity
In his view, the independence account that “typically is drowning in sentimentality and wistful remembrance and is incredibly superficial and doesn’t have the respect for what actually took place, all contributors and the incredible violence of it.
Taylor maintains, an uprising that declared the world-changing idea of inherent human rights; a vicious internal conflict, separating rebels and supporters; and a global war, the fourth in a series of conflicts between Britain, France and Spain for the “prize of North America”.
Contingent Historical Events
The filmmaker also sought {to rediscover the